These are a few little panels from The Understanding Monster Book One. It looks like it's finally off to the printers now! If all goes well, it will be out in time to be released at the Small Press Expo (SPX) in late September!
One thing I notice about your characters is that I appreciate them far more when I see them in the context of the comic than cut out of it like this. Snipped out of their native environment, they have the feel of animals in cages, at odds with the world around them. Or... you know, like those little tablets they have along certain nature routs, "this is an elm tree", "this is a deer", like pinned butterflies.
That said, just from this very brief glimpse I quite love "the-floor-is-water-to-me", and I'm intrigued about what's inside the micro-palace of information.
Now, a question... how many pages is this first book, and how long will the entire project be?
Caged animals and pinned butterflies is definitely not at all what I was going for when I drew those characters, but it's always interesting to hear what associations gets triggered in someone else's mind. Thanks for looking. "The-Floor-is-Water-to-me" says hi!
It's just posting them in a blog entry that does it for me - I'm sure that when I read the book and see them in their native environment, I'll be able to understand them a lot better.
But surely you can also see the analogy between posting characters in a blog post without any context with zoos and pinned butterflies?
I post some of my own art here, but this Thought Cloud Factory tumblr site is mostly for collecting art and imagery that feels personally inspiring to me. Check it out if you're curious!
edition of 250, signed and numbered on heavy stock 18x24 paper.
Capacity Poster:
18x24". limited edition of 200. signed and numbered. SOLD OUT!
Thought Cloud Shrines:
a hand made art zine SOLD OUT!
Flying Lotus, Pattern/Grid World:
I did the album art for the Flying Lotus EP released by Warp Records. The vinyl comes with a pull out poster.
Ramona Falls, Intuit:
I did the album art for the Portland Based Band, released by Barsuk Records.
Nursery Rhyme Comics anthology:
I did a 2 page, full color adaptation of "As I Was Going To St. Ives". Edited by Chris Duffy.
Best American Comics 2010, edited by Neil Gaiman::
My 15 page comic "Norman Eight's Left Arm" was included in this anthology. I also did the front and back end page designs.
The Black Forest anthology:
I did a 6 page, full color piece for this anthology of art and comics put out by the Pittsburgh based collective, Unicorn Mountain. Edited by Curt Gettman.
High Contrast Review:
I did 4 illustrations for an article on food in Fairy Tales for this limited edition anthology of literature, poetry, photography, and art. There's also a couple of photographs of me wearing my "house head" in downtown portland, taken by Austin Valley. I silkscreened the covers myself. Edited by Sam Kulla.
The Open Daybook:
This is a big art book that also acts as a perpetual calendar. It features 365 artists who each made a piece of art on the specific day of the year they were assigned. I made a drawing for October 2nd. Edited by David P. Earle.
Study Group 12 #4:
I have two pages of drawings in this limited edition anthology of art and comics edited by Zack Soto. It has hand silk screened covers and is printed with dark blue ink.
Prism Index #1:
I have 4 pages of art in this handmade, limited edition art magazine. It has hand printed silkscreened covers and comes with a music disc and dvd of experimental film. Edited by Jeffrey Bowers.
Art Visionary Box Set:
Art Visionary, an Australian based magazine of fantastical, surrealist, and outsider art, put out this limited edition box set filled with prints, original art, and mini publications. A signed and numbered, limited edition version of my art zine, Thought Cloud Shrines was included in the set. Edited by Damian Michaels.
Creative Time and Space (making room for making art):
I'm one of 14 artists interviewed in this book about the daily lives and creative habits of artists. It features 5 of my art pieces and a photo of my drawing table. Edited by Rice Freeman-Zachery
Bird Hurdler:
I made a 6 page comic for this free anthology put out by SparkPlug comics, Tugboat Press, and Teenage Dinosaur back in 2009. It features 6 Portland Cartoonists. Cover by Andrice Arp. As far as I know, there aren't any copies left.
One thing I notice about your characters is that I appreciate them far more when I see them in the context of the comic than cut out of it like this. Snipped out of their native environment, they have the feel of animals in cages, at odds with the world around them. Or... you know, like those little tablets they have along certain nature routs, "this is an elm tree", "this is a deer", like pinned butterflies.
ReplyDeleteThat said, just from this very brief glimpse I quite love "the-floor-is-water-to-me", and I'm intrigued about what's inside the micro-palace of information.
Now, a question... how many pages is this first book, and how long will the entire project be?
Caged animals and pinned butterflies is definitely not at all what I was going for when I drew those characters, but it's always interesting to hear what associations gets triggered in someone else's mind. Thanks for looking. "The-Floor-is-Water-to-me" says hi!
ReplyDeleteIt's just posting them in a blog entry that does it for me - I'm sure that when I read the book and see them in their native environment, I'll be able to understand them a lot better.
ReplyDeleteBut surely you can also see the analogy between posting characters in a blog post without any context with zoos and pinned butterflies?
I love them all, but Greg the most....
ReplyDelete